5 April 1971 am in Mt. Abu, Rajasthan, India
For a person like you, who desires to live a hundred years
involved in his activities in the world and believing that "I am the doer,"
there is no other path than this
- The path of living without being smeared by your doing.There is only one path that can keep you unaffected while doing the things you must do in this world. The path which is discussed by the Ishavasya is this path: live by surrendering to existence, give it all away, leave everything at its feet. Surrender everything to it. Giving up the notion of yourself as the doer, you can live your life and remain unaffected by performing your worldly duties. This is the only path; there is no other.
It will be useful to understand two or three points in this connection. Number one: to live in this world without being affected by karma, by your doings, is a great alchemy, and a matter of great worth and wisdom. It is almost like imagining a person coming out of a coal-cellar without any trace of coal-dust on him. Moreover, this is not a matter of living in the coal-cellar for an hour or two. If we consider our whole life's duration, we are talking about a period of one hundred years; and if we consider many lives of the past, our journey will be through many thousands of years. Now, it will be a matter of great wisdom, or else of extraordinary luck, if a person living in such a coal-cellar, for one hundred years performing his daily routine - waking, sleeping, sitting, standing and so on - can yet remain untouched by the coal-dust in the cellar. It is quite obvious and natural that he will be smeared with soot. It is quite feasible to imagine that not only will the person come into contact with the coal-dust in the cellar, but may well actually turn into coal-dust. He will probably look like the incarnation of coal-dust! It seems difficult to believe - living in his cellar for a hundred years - that a man will not become coal-dust itself.
How can we pass through a thing without touching it? No sooner do we pass through it than we are joined with it. When we are angry, we become merged with our anger. When we love someone, we are united with him or her. Whenever we fight or run away or enjoy a thing, we are merged with our activity. Even when we make our renunciation, we are merged with it; and if we are joined with our renunciation, we tarnish our hands with soot. We are stained. The pride of having so much wealth arises in a man's mind when he is enjoying its fruits. Similarly, renunciation brings into his mind the pride of having renounced so much. That pride is coal-dust for us; that conceit is soot itself.
No matter how a person passes his life of a hundred years, he will do something, and if it is done with pride, it will blacken him. But this sutra of the Ishavasya tells us that there is a path which enables a person not to lose his purity, and where he is not affected by his actions, despite living in a coal-cellar. This seems impossible, but it is not impossible if we rightly understand the meaning of this sutra. A man can do anything, it says, but as long as he is the doer, he will be blackened. Only one alternative is available: to cease entirely to be the doer.
One cannot avoid actions. Actions will certainly be there as long as we live. It is a mistake to say, "Give up doing things so that there is no chance of being smeared by them." Actions will be there till death. To breathe in is an action. It is not only the man who runs his shop who is involved in action; the beggar also is doing. It is not only the housekeeper who is involved in doing; the man who leaves his house and runs to the jungle is doing too. Their actions may differ, but this does not mean that the one's is an action and the other's is non-action: both are actions so there is no point in believing we can protect ourselves from the coal-dust, when leaving it all is as much an action as living it all. By thinking thus, we will get nowhere. Giving up actions one runs away, but then that running away becomes one's action. Action binds us fast.
There is only one way out of this predicament, and that is to find freedom from being the doer, even though we cannot free ourselves from doing. But how can we free ourselves from doing when the doing is going on? Shall I not become the doer when I am doing the action?
The Ishavasya tells us that even while doing, we can be free from being the doer. Ordinarily it appears to us that we can perhaps be free from becoming doers only if we give up actions. "I shall do nothing, hence I shall not become the doer." But the Ishavasya tells us quite definitely that this is impossible. On the contrary, what is possible is that you go on doing things, but you remain separate from becoming their doer.
Don't be doers! How can this be? We are acquainted a little with such action. To act on stage is to experience the possibility of doing without being the doer. Rama weeps aloud in the forest when Sita is lost. He runs from tree to tree, clinging to the trunks and crying, "Where is Sita?" Crying to the trees, the actor possibly wails more earnestly than Rama himself, and maybe more cleverly and skillfully too, because Rama had no opportunity for rehearsal. This actor has had plenty of practice. He performs the very same actions which Rama performed, but there is no doer behind them; there is only an actor.
Remember, actions can be of two kinds: one in which there is a doer, and the other in which there is an actor. If the actor replaces the doer, the action will continue on the surface, but there will be total transformation within. Acting does not bind you to the action, it does not affect you. It remains entirely outside, it does not enter within. It does not go deep within, it vibrates on the surface and then disappears. No matter how much the actor of Rama may weep and grieve, those tears do not come from his inner self. Usually he has to apply coal dust to make the tears fall, and if he does not use coal dust it is because he has learned to shed tears through practice. They do not come from the depth but from the surface. He shouts, he makes great noise, but it comes from his throat and not from his heart. The inner self remains absolutely untouched and unaffected. He passes through the coal-cellar, but not as a doer; he remains an actor.
Remember, it is the doer who gets covered in coal-dust, not the action. If it were the action that caught the coal-dust, then what the Ishavasaya says could not happen, what the Gita says could not happen. Then there would be no escape from action as long as one lived. Then one could be free from action only after death. Then it appears there would be no liberation as long as life persists. But how can one be free after death when one cannot be free while living? If one cannot be free while living, there is certainly no scope to find freedom after death.
If action itself can be smeared with the soot of life, then liberation is impossible. But those who search deep within say that the coal dust clings to the doer and not the doing. That is, it clings only when one says, "I am the doer," when the emphasis is on the action and when I and the action are identified with each other. Only when the tarnishing happens - when the I becomes one with the action, and says "I am the doer" - only in such a situation does the coal-dust cover the doer; and then life is filled with darkness and blackness.
If there is no one within saying, "I am the doer," and at the same time there is the knower who understands that the action is going on - that the actors have come together on the stage to enact the drama - then it makes no difference how great the stage is; let it be as wide as the whole world! It makes no difference that the curtain in the drama is raised only once at the time of birth, and is lowered only at the time of death. Nor does it matter that the drama is very long between the raising and lowering of the curtain. All this makes no difference; it does not affect you at all if you see it from within as a performance. If you carry this understanding within, then the whole world is a leela - a play, a drama, a stage for you - and life itself is like a story. Then we are actors, and nothing affects the actors.
This sutra of the Ishavasya says there is only one way for a man not to be affected while performing his duties in life, and that is to transform life into acting. But we are extraordinary people. We transform acting into life, but we do not transform life into acting. We try many times over to present our acting as our real life, and our repetitive actions actually become the driving forces of our lives. If we consult psychologists, they say that man's obvious behavior is all cultivated action. It is all conditioning.
We call this man's nature, but the psychologists declare that there is nothing like man's nature. If there is anything like man's nature, it is endless fickleness. Man's nature is like water. If we pour water into a glass, it assumes the shape of the glass, and if it is poured into a cup, it assumes the cup's shape; if it is poured into a pitcher, it assumes the shape of the pitcher. Water always assumes the shape of the vessel into which it is poured. Then what is the natural shape of water? It has no natural shape. Its nature can be described as the capacity to assume endless shapes. Water is not obstinate, it is not stubborn. It does not assert, "I shall remain in this particular shape." It says, "I am willing to live in any shape, whatsoever it may be."
Man also has no nature of his own. The phenomenon which we call nature is just frequently practiced behavior patterns. It is actions performed in a cultural frame in often repeated circumstances. So, a person born in the family of a non-vegetarian eats meat. It is not his nature that chooses it; if he had been brought up in the house of a vegetarian, he would have taken to vegetarian food. Then he might become nauseous or upset at the sight of meat. But this is no testimony to a virtuous nature, any more than eating meat signifies an evil nature. Characteristics such as these are no indicators of greatness.
The shape of an action is a practiced thing, which we are teaching to people from their very infancy. If we rightly understand what that training is, it is just a preparation for the performance a person will be expected to give in his life. Our educational institutions are rehearsal studios. They are the training studios where we prepare ourselves for the performances of our lives. We train a person to act in a particular fashion in our families, society, schools and universities. We train one as a Hindu, another as an American, another as a Chinese, and another as a Christian. When they are thus trained and their frame of mind becomes strong and firm, it looks as though that frame of mind is their nature. No, all these are just much repeated performances, so firmly fixed eventually in man's mind that it does not even occur to him that he is simply acting his part.
Have you ever thought what religion you belong to? Hinduism, Jainism, Islam, Christianity and other religions are all performances taught to you. If you had not been trained in them you would never have known about them. But when you say, "I am a Hindu," you become the doer. Then you can take a sword in your hand to defend your religion. Then lives can be sacrificed and killing can be done. Quarrels can be picked with anyone who says you are not a Hindu.
Psychologists used to say that habit is second nature. This was the view of past psychologists. But modern psychologists say, instead, that nature is the first habit. As more and more research is conducted into man's nature, it is more and more convincingly known that nature is the first habit - a deep-seated one that became so firmly fixed that man forgot that he was performing. If you can keep it in mind that you are performing, there will be no more killing one another. On the contrary, you will say, "What madness! I am playing the part of being a Hindu and you are playing the part of being a Mohammedan; why should there be any quarrel in that?" No, it is when this phenomenon is not looked upon as a play, as acting, that quarrels and fighting break out. People become serious then, and they cease to be playful.
Eric Berne has written a book called Games People Play. He does not deal merely with games like football, hockey, cards and chess, but with those of being Hindus, Mohammedans, and Christians. These are also games which people play, sometimes at great cost and with much harm. Chess players have been known to take up swords against each other over the issue of their victory or defeat, so it is hardly a matter of great concern that they kill one another over the matter of their religious differences.
It seems that when the games are taken seriously they become part and parcel of life; and whatever is taught is clung to. All over the world women have been taught that they are inferior to men, and they have believed it. But there are matriarchal societies also, where man is taught that he is inferior to woman; and the people in such a social order will cling to this belief. There are families where the woman has superiority over the man. The interesting thing about this situation is that in the case where woman is superior to man, the women have become more intelligent than the men. And where woman was taught her inferiority to man, the men became more intelligent.
We mold men like water in vessels. Then acting holds the ego so fast that it does not say, "I am acting"; it says, "I am!" Then being a Hindu is not a play: it is what I am. And the coal-dust begins to affect you as soon as you say, "I am." It could be considered less important if it only affected you: but a person smeared with coal dust soon begins to throw it over others also. The coal-dust on our hands is passed on to others. We ourselves are blackened and we blacken others. We set about transforming the acting into a role performed by a doer.
When two small children celebrate the marriage of two dolls, we say they are playing. But have you ever recognized that the marriage of a man and a woman is, to some extent, nothing more than the marriage of dolls? In both the marriages, all forms, all considerations, all arrangements, all music, all show and all the other trappings are the same. The only difference is that the one is played by small children and the other is played by grown-up children. Small children forget the game quickly; they do not remember in the evening that the marriage was celebrated in the morning. But grown-up children go even to the law courts to fight for their marital rights. They do not forget the event, but cling to it fast.
Nobody is prepared to see their marriage as a play. It is difficult to do so, because if the marriage is considered as a play, then the family which is the result of marriage must inevitably be looked upon as a play. Then the community made up of these families is also a play. Thus the circle expands, until the whole human world encompassing this community becomes a play. That is why we have to cling firmly to every detail of our position and say, "No, the institution of marriage is not a play, it is a serious matter; it is a life-and-death issue." The family is not a play, the community is not a play. Then every step, every action, becomes as hard and intractable as stone.
The whole structure becomes more and more rigid; and we, the society, will destroy any person who regards this manmade arrangement as only a play, because such a person threatens to undermine all our serious arrangements. He refuses to obey the rules of our game, so we take revenge upon him. Our life is a long, continuous acting; but we have so structured the acting that we can say it is our doing - we are the doers.
The Ishavasya affirms the opposite. It says, "At least know acting as acting; there is nothing in this world of which you should be crazy enough to be its doer. If you become the doer, you are certainly insane. Let existence be the doer. Leave everything to it which always is, which was when you were unborn, will be when you have ceased to be. Leave all your doings to existence. Do not take the load of doing upon yourselves. That load will be far too much for you; it will be more than you can bear. To carry that load is beyond your capacity. You will be crushed under its weight and you will die. Nothing can save you from it."
But our ego finds it difficult to swallow...
|
|
Heartbeat of the Absolute 'But a journey once started, whatever the direction, does not end before it is completed; it searches for its end.' In these discourses given in Mount Abu, Rajasthan during a meditation camp, Osho takes us on a journey to god. All is god - that is the meaning of Ishavasya. |
OSHO PUBLIKATIES
Vianenstraat 48
1106 DD AMSTERDAM, Nederland
Tel.: (+31-0)20-6969 372 Fax: (+31-0)20-6915 642
contact us: oshopublikaties@compuserve.com
update: 08-07-2002